Designing a vehicle

Land Use in Pinchot - Lab Report Example brought about a lessening in the number of inhabitants in the predator/prey environment while the half and 75% fracture made a progressively twisted conveyance of the species. This shows the speculation ought to be acknowledged. It was seen that expanding discontinuity is legitimately relative to the expansion in bounty of the Spiny Firegrass (SFG) and Elk populace. The wolf and bluebunch wheatflower (BBWF) populace stayed consistent at 0% and 25% fracture and definitely dropped at half and 75% discontinuity. The expansion of the BBWF, elk and wolf made a progressively adjusted biological system in the 0%, 25% and half discontinuity as influenced by the chain of command of the species in the trophic level (Moorecroft, n.d.). The expanding discontinuity caused the expansion in the wealth of the SFG as a result of the expanded measure of direct daylight achieved by deforestation. The natural surroundings has gotten progressively great for the SFG, while ominous for the wolf and BBWF which take safe house and security from the backwoods. Lindsey (2007) accentuated that deforestation straightforwardly makes the species relying upon the timberlands helpless; and for this situation, it will be the wolves and BBWF. The wolves can be viewed as the cornerstone species in the Pinchot environment on the grounds that the outcomes acquired from the 75% discontinuity made a trophic course in light of the fact that there was few the more elevated level predator that will have the option to control the quantity of the elks in the biological system (Moorecroft, n.d.). The perceptions accumulated shows that the biological system is a top-down control of populace elements. Deforestation and endless suburbia directly affects the food web on the grounds that these two exercises imperil the more elevated level predator, causing a trophic course in the biological system (Moorecroft, n.d.). Deforestation gives a superior living space to the multiplication of SFG, and endless suburbia drives away the wolves that live in the forested areas, causing the expansion in the elk populace, and thus draining the

Macbeth †explain in an essay format how I would direct Act2, Scene1 Essay

I am currently going to clarify in an article position how I would coordinate Act2, Scene1 and what I would change from how the play has been initially appeared. On the off chance that I was coordinating Act 2 Scene 1, I would need Macbeth to appear to the crowd as though he is splitting under the weight and for him to seem crazy, miserable and unreliable. Macbeth acts not quite the same as when we previously observed him with Banquo, as now he is going to carry out a wrongdoing of treachery and murder his cherished King. This is totally different from when we originally considered him to be he adored his King and he would bite the dust for him however now it is backward. This is significant that the crowd comprehend he is totally different and not a similar individual because of his covetousness for power. It is basic that he is depicted along these lines so the crowd can see he is more vulnerable and more regrettable of particularly as his significant other, Lady Macbeth has been forcing him in to finishing his undertaking of killing King Duncan. On the off chance that it was not for his significant other, at that point I don't feel that Macbeth would have proceeded with it. This change in Macbeth’s character will ideally have an effect on the crowd so they can perceive how the three witches and his better half have influenced him and his perspective. Macbeth is understanding that he is more fragile than he suspected and that he is committing an error, he doesn’t need to submit the homicide however his better half pushes and weights him into slaughtering his King. This shows the crowd that as of now Lady Macbeth is more grounded than Macbeth and in a superior perspective. He begins to envision things and this is an indication of him being crazy, and intellectually shaky. â€Å"Is this a blade which I see before me, The handle toward my hand? Come, let me Grip thee.† p. 43 This discourse is significant in the comprehension of Macbeth’s job in this scene. So I would need Macbeth to be sitting toward the finish of a table and to †¦ state this so that the crowd can see him turning intellectually crazy. I would need him saying the sentence gradually and contrarily, underlining â€Å"toward† as though he is amazed about it, additionally holding a knife infront of him taking a gander at it all over with eyes that look obscured feeling the sharp edge. Additionally I would need a low-calculated shot demonstrating him overcastting the camera to give that additional dash of frenzy during the principal line. At that point I would likewise have a nearby of him holding the blade to get his face and knife in a similar camera went for the last two lines. To add to the strain of this discourse there would be music playing out of sight that would be farley overwhelming to give the impression of insidiousness and what is going to occur. This will make the crowd handle his character and comprehend what he is experiencing right now in the play. After this discourse I would have had Macbeth strolling up the steps with the knife looking amazed and crazy and afterward I would have him raise it over his head as he arrived at the highest point of the steps. After he comes out of the room I would make them look down at his hands prepared to slow down and disintegrate at his knees. When he arrives at his room I would have him breakdown onto the bed and lay there feeling remorseful. Additionally when he sees his hands I would have him begin to cry tears to show that he is a weakling and unreliable.

The Modern Rules of the Memo (With Examples)

The Modern Rules of the Memo (With Examples) Whether its called a business memorandum, memoranda, or memo, it is a common form of business communication when the information to be disseminated is informal and not private. According to Business Etiquette for Dummies, 2nd Edition, If you have something confidential to communicate, dont do it in a memo.The purpose of your memoMemos are the typical form of communication used within companies and organizations. Most will be limited to a few paragraphs, but some memos may be longer, depending on their purpose and messaging.In general, a memo is used:to inform others within the company on changes in policies, directives, or procedures.to announce changes in leadership, management structure, team divisions, or workflow.to disseminate information pertaining to meetings and events held within the organization.to introduce new employees, divisions, clients, etc.The format of your memoThe most typical format of interoffice memos is as follows:Heading: (usually MEMORANDUM or MEMO in all cap s, centered, although this format is not required and can vary based on organizational style guides.)To: (Who or which department gets it)From: (Who or which department sent it)Date: (When it was sent)Subject: (Briefly, what its about)(A line generally separates the header from the content, as shown above.)Your introductory paragraph should quickly orient the reader to what the memo is about and how it pertains to them or their department. It should be written succinctly, with as few words as possible to convey the needed message. The rule of thumb is tight, informative sentences.For the body, here are a few pointers:If there are tasks that need to be completed related to the subject of the memo, those can be detailed in the body of the memo.Keep in mind that bullet points are a great way to present most information in a way that can be easily scanned and understood by the reader.Its easier for the human eye to read bullet points than long, overly complicated paragraphs.Include the important details but if there are complex details involved, direct readers to another document (a memo is not really the place for that).Memo example 1MEMORANDUMTo: All departmentsFrom: Dan Lumberg, CEODate: October 1, 2018Subject: Internet use on company timeThis is to remind all employees that Internet use on company time is prohibited. Please refrain from checking your personal email, social media accounts, or messaging platforms while on the clock, unless it is on your break time or lunch time.As noted in the employee handbook, section 2.4., all employees are responsible for:Using on-the-clock hours for company projects only.Limiting their online interactions while on the clock to clients and fellow employees within the company.Applying their break or lunch-time hours to any time spent reading personal email, personal social media accounts, or messages sent for personal use.As always, we appreciate the time and effort you put into all that you do at XYZ Corp and trust that our employees will maintain professional standards at all times while on the clock. If you have questions or concerns about these company policies, please direct them to Megan Smith at ext. 1208.Best regards,Dan Lumberg, CEOMemo example 2MEMORANDUMTo: Executive assistants, all departmentsFrom: Jon BeakerDate: October 1, 2018Subject: Attaching cover sheets to all outgoing faxesIm sending this memo to inform you of recent changes in company procedure related to faxes sent out. We have a new standard cover sheet (Form 12E) that should be used in all outgoing fax transmissions and the old one (Form 12D) should be recycled or discarded.The new cover sheet includes our new company address, along with a legal statement that is required to be attached to all outgoing fax transmissions. Without the use of this new cover sheet, we run the risk of falling out of compliance with our legal directives.This might seem like a small matter but I assure you, it is extremely important. I suggest that you immediately recycle or discard all the old fax cover sheets to avoid confusion. If there are any questions, please contact me at extension 101.Best regards,Jon Beaker

Frank Gehry, Controversial Canadian-American Architect

Inventive and irreverent architect Frank O. Gehry (born February 28, 1929) changed the face of architecture with his artistic designs realized with high-tech software. Gehry has been surrounded by controversy for most of his career. Using unorthodox materials like corrugated metal, chain link, and titanium, Gehry has created unexpected, twisted forms that break conventions of building design. His work has been called radical, playful, organic, and sensual. Fast Facts: Frank Gehry Known For: Award-winning, controversial architectAlso Known As: Owen Gehry, Ephraim Owen Goldberg, Frank O. GehryBorn: February 28, 1929 in Toronto, Ontario, CanadaParents: Sadie Thelma (nà ©e Kaplanski/Caplan) and Irving GoldbergEducation: University of Southern Californias School of Architecture, Harvard UniversityAwards and Honors:  Presidential Medal of Freedom, J. Paul Getty Medal, Harvard Arts Medal, Order of Charlemagne; honorary degrees from many universities, including Oxford, Yale, and PrincetonSpouse(s): Anita Snyder,  Berta Isabel AguileraChildren: Alejandro, Samuel, Leslie, BrinaNotable Quote: For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, Im not sure where Im going. If I knew where I was going I wouldnt do it. Early Life As a teenager in 1947, Goldberg moved from Canada to Southern California with his Polish-Russian parents. He chose U.S. citizenship when he turned 21. He was traditionally educated at Los Angeles City College and the University of Southern California (USC), with an architecture degree completed in 1954. Frank Goldberg changed his name to Frank Gehry in 1954. This move was encouraged by his first wife, who believed a less-Jewish-sounding name would be easier for their children and better for his career. Gehry served in the U.S. Army from 1954–1956. He then studied city planning on the G.I Bill for one year at Harvard Graduate School of Design before returning to southern California with his family. He went on to reestablish a working relationship with Austria-born architect Victor Gruen, with whom Gehry had worked at USC. After a stint in Paris, Gehry again returned to California and established his Los Angeles-area practice in 1962. From 1952–1966, the architect was married to Anita Snyder, with whom he has two daughters. Gehry divorced Snyder and married Berta Isabel Aguilera in 1975. The Santa Monica house he remodeled for Berta and their two sons has become the stuff of legends. Career Beginnings Early in his career, Frank Gehry designed houses inspired by modern architects such as Richard Neutra and Frank Lloyd Wright. Gehrys admiration of Louis Kahns work influenced his 1965 box-like design of the Danziger House, a studio/residence for designer Lou Danziger. With this work, Gehry started to get noticed as an architect. The 1967 Merriweather Post Pavilion in Columbia, Maryland, was the first Gehry structure reviewed by The New York Times. The 1978 remodeling of a 1920s-era bungalow in Santa Monica put Gehry and his new familys private home on the map. As his career expanded, Gehry became known for massive, iconoclastic projects that attracted attention and controversy. The Gehry architecture portfolio includes unique structures such as the 1991 Chiat/Day Binoculars Building in Venice, California, and the 2014 Louis Vuitton Foundation Museum in Paris, France. His most famous museum is the Guggenheim in Bilbao, Spain, the 1997 spectacle that gave Gehrys career its final boost.  The iconic Bilbao architecture was constructed with thin sheets of titanium, and it continues to draw fascinated tourists. Color has been added to Gehrys metal exteriors, exemplified by the 2000 Experience Music Project (EMP), now called the Museum of Pop Culture, in Seattle, Washington. Gehrys projects build on one another, and after the Bilbao museum opened to great acclaim, his clients wanted that same look. His most famous concert hall is arguably the 2004 Walt Disney Concert Hall in Los Angeles, California. He began visualizing with a stone facade in 1989, but the success of the Guggenheim in Spain inspired the California patrons to want what Bilbao had. Gehry is a great fan of music and he has taken on a number of different concert hall projects. Examples include the small Fisher Center for the Performing Arts at Bard College in 2001 at Annandale-on-Hudson in New York, the open-air Jay Pritzker Music Pavillion in 2004 in Chicago, Illinois, and the rather sedate 2011 New World Symphony Center in Miami Beach, Florida. Notable Work Many of Gehrys buildings have become tourist attractions, drawing visitors from around the world. University buildings by Gehry include the 2004 MIT Stata Complex in Cambridge, Massachusetts, and the 2015 Dr. Chau Chak Wing Building at the University of Technology Sydney (UTS), Gehrys first building in Australia. Commercial buildings in New York City include the 2007 IAC Building and the 2011 residential tower called New York By Gehry. Health-related projects include the 2010 Lou Ruvo Center for Brain Health in Las Vegas, Nevada, as well as the 2003 Maggies Centre in Dundee, Scotland. Furniture: Gehry had success in the 1970s with his line of Easy Edges chairs made from bent laminated cardboard. By 1991, Gehry was using bent laminated maple to produce the Power Play Armchair. These designs are part of the Museum of Modern Art (MoMA) collection in New York City. In 1989, Gehry designed the Vitra Design Museum in Germany, his first European architectural work. The museums focus is on modern furniture and interior designs. Also in Germany is Gehrys 2005 MARTa Museum in Herford, a town known in the furniture industry. Gehry Designs: Because architecture takes so long to become realized, Gehry often turns to the quick fix of designing smaller products, including jewelry, trophies, and even liquor bottles. From 2003 to 2006, Gehrys partnership with Tiffany Co. released the exclusive jewelry collection that included the sterling silver Torque Ring. In 2004, the Canada-born Gehry designed a trophy for the international World Cup of Hockey tournament. Also in 2004, Gehry designed a twisty vodka bottle for Wyborowa Exquisite. In the summer of 2008, Gehry took on the annual Serpentine Gallery Pavilion at Kensington Gardens in London. Career Highs and Lows Between 1999 and 2003, Gehry designed a new museum for Biloxi, Mississippi, the Ohr-OKeefe Museum of Art. The project was under construction when Hurricane Katrina struck in 2005 and pushed a casino barge into the glittering steel walls. The slow process of rebuilding began years later. Gehrys most famous low, however, may have been the burning reflection from the completed Disney Concert Hall, which impacted both neighbors and passers-by. Gehry fixed it but claimed it was not his fault. Throughout his long career, Frank O. Gehry has been honored with countless awards and honoraria for individual buildings and for him as an architect. Architectures highest honor, the Pritzker Architecture Prize, was awarded to Gehry in 1989. The American Institute of Architects (AIA) recognized his work in 1999 with the AIA Gold Medal. Former President Barack Obama presented Gehry with the highest civilian award of the United States, the Presidential Medal of Freedom, in 2016. Style of Gehrys Architecture In 1988, the Museum of Modern Art (MoMA) in New York City used Gehrys Santa Monica house as an example of a new, modern architecture they called deconstructivism. This style breaks down the parts of a piece so their organization appears disorganized and chaotic. Unexpected details and building materials tend to create visual disorientation and disharmony. Gehry on Architecture In Barbara Isenbergs book, Conversations With Frank Gehry,  Gehry talked about the approach he takes to his work: Building a building is like berthing the Queen Mary in a small slip at a marina. There are lots of wheels and turbines and thousands of people involved, and the architect is the guy at the helm who has to visualize everything going on and organize it all in his head. Architecture is anticipating, working with and understanding all of the craftsmen, what they can do and what they cant do, and making it all come together. I think of the final product as a dream image, and its always elusive. You can have a sense of what the building should look like and you can try to capture it. But you never quite do. But history has acknowledged that Bernini was an artist as well as an architect, and so was Michelangelo. Its possible that an architect can also be an artist....Im not comfortable using the word sculpture. Ive used it before, but I dont think its really the right word. Its a building. The words sculpture, art, and architecture are loaded, and when we use them, they have a lot of different meanings. So Id rather just say Im an architect. Legacy Frank Gehrys work has had a profound impact on postmodernist architecture. His unique use of materials, line, and technology have inspired architects and changed the way architects and engineers think about structures. His most significant structures, such as the Bilbao Guggenheim, have, as Salon’s Karen Templer  wrote, ...changed the way people think about the field of architecture. Gehry has proven that people will travel halfway around the world to look at a building as well as its contents. It stands as evidence that a building  can  put a town on the map. Sources Editors of Encyclopaedia Britannica. â€Å"Frank Gehry.†Ã‚  Encyclopà ¦dia Britannica, 24 Feb. 2019.Frank O. Gehry.†Ã‚  Academy of Achievement.Isenberg, Barbara. Conversations With Frank Gehry by Barbara Isenberg. Knopf Doubleday Publishing Group, 2012.The Museum of Modern Art. Deconstructivist Architecture. June 1988. Sokol, David. â€Å"31 Spectacular Buildings Designed by Frank Gehry.†Ã‚  Architectural Digest, 25 Nov. 2018.

The History of Clay Bricks - 857 Words

The history of clay bricks, while somewhat resting in the murky depths of time, is no less dynamic as it is hopeful. This brief exploration begins by marking the discovery of clay and then draws into question of who may be responsible for the advent of the clay brick? While there may or may not be a definitive answer, the paper points out that once introduced clay brick making could be found in various parts of the ancient world. Once they were utilized in construction, the use of clay bricks has been responsible for the creation of structures that are both famous and infamous, and the most of the examples provided in this example remain intact to this day; in huge part testament to the durability of clay bricks regardless of what history has in store. Mass production of clay bricks was only achieved quite recently and there are some who bemoan this fact. Yet, today’s manufacturing processes, while quite detailed and carefully considered, have also made it possible for product ion that are, to a degree, are environmentally friendly. Clay has been in use since the prehistoric era when it was fashioned into pottery used for purposes of cooking and storage. Evidence of this has been found in Japan and has been radiocarbon dated to 14000 BC (Scarre, 2013). However, there doesn’t appear to be consensus as to who should be credited with fashioning clay as a material used for purposes of building structures. For example, information found in a book published by the MarshallShow MoreRelatedThe Dying Industry of Brick Production in Norway1857 Words   |  7 PagesA condensed history about the production of â€Å"Tegle stein† in Norway. From the first introduction of fired clay bricks by monks in the early twelfth century. To what affects the Black Death had on production and innovation leading into the 17th century. 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Cheerleading Is a Sport Free Essays

March 15, 2010 Cheerleading is a sport Do you consider cheerleading to be a sport like football, or any other sport? In most cases, many people tend to laugh at the idea of cheerleading being called a â€Å"sport†. People sometimes laugh because they are use to seeing cheerleaders cheer, and doing basic jumps only on the sidelines of games. In reality, they should know that cheerleading can be as dangerous as most sports. We will write a custom essay sample on Cheerleading Is a Sport or any similar topic only for you Order Now In the following essay I will be telling you why I consider cheerleading is a sport. Some part of the confusion on whether cheerleading is considered a sport or not; comes from the history of cheerleading. It all started during a football game at Princeton University. No one is sure about the date, but it is said to have started in the 1880s. At that time cheerleaders were limited to basic jumps. For example, back then they were only aloud to do cartwheels. Many years’ later competitions for cheerleading started. These competitions were not about what team can scream the loudest. These competitions were about whom can do the best stunts, have the most solid pyramid, and lastly have the best tumbling Many cheerleaders, coaches, and others involved in cheerleading, know that what cheerleaders do is just as challenging as other sports, For example, like cross-country, they run. Football players toss others, they toss girls up in the air, and the girls expect to be catch by their teammates. Like soccer players kick, they can have high kicks. Lastly, they can jump and tumble like gymnast. Cheerleaders also risk themselves building up pyramids. They are risking themselves because it can be dangerous when some one falls off or something might have gone wrong. Cheerleaders also have injuries through out the year and tryouts like all other sports. Cheerleading takes just as much dedication and skills as any other sport. Most people in this country would define a sport as an activity that pushes the individual physically and mentally to perform at their levels. And also to have some competitive component involved. Today, the games that cheerleaders attend for their school are mostly practice compared to the competitive events. If people doubt that cheerleading is a sport, they can easily take a look at some cheerleading squads performing a routine. People can go ahead and look at them on ESPN (the cable sports network). ESPN officially declared cheerleading a sport. They also began showing the national cheerleading competitions that were taking place around the country. In this show you will be able to see members of the squad leap across the matt’s. Also complete tumbling just like gymnast. Hopefully one day cheerleading will be considered a sport as football or any other sport to everyone in this country. Maybe even appear in the Olympics, since cheerleaders are just athletic and physically fit as those involved and accepted as sports. How to cite Cheerleading Is a Sport, Papers

The Dying Dreams Essay Example For Students

The Dying Dreams Essay Arthur Miller profoundly explores the subject of morality and human values in his two famous plays, Death of a Salesman and All My Sons. Though dealing with a common topic , the works contain major differences that help to make them unique. Death of a Salesman describes the tragedy behind shattered dreams and the effects that they bring on entire families. It focuses greatly on illusions created by individuals and the inability of those individuals to except reality. All My Sons, on the other hand, explores the frightening reality of peoples insensitivity and their moral values and the illusions created to cover up the tragic reality. The reality versus illusion theme exhibits the parallelisms and the distinctions between the plays. The subject of human values may be compared through the points of view, the imagery, and the life lessons of the two works. We will write a custom essay on The Dying Dreams specifically for you for only $16.38 $13.9/page Order now All My Sons denounces immorality more directly then Death of a Salesman. Joe Kellers refusal to stop the shipment of cracked cylinder heads causes the deaths of innocent American soldiers. The grim reality is that he allowed the people who were defending him and fighting next to his sons to die, thus committing the ultimate sin of murder. In All My Sons Joe Keller immensely influences the lives of many outside his family while caring only about his own. By contrast, in Death of a Salesman Willy Lowman commits adultery, a rather minor sin when compared with murder. His influence is limited only to the lives of his wife and sons, while he desires to impact the lives of those outside his family. Arthur Miller emphasizes the destruction of lives more apparently in All My Sons then in Death if a Salesman. However, both plays are linked to events dealing with acquisition of money. The theme of material wealth can often be noticed as the basis for many actions in the two works. Joe Keller c ommits the terrible act because he fears loosing his business and thus, not being able to provide for his family materially. He willingly chooses money over the lives of the soldiers and over the life of his friend and partner. Similarly, Willy Lowmans every action in life revolves around money and material success. His obsession with acquiring wealth destroys his relationship with Biff and his own sanity and happiness. Willy has an affair only to further himself in his career, only to attract more customers. Also, his inauthentic dream for Biff centers solely around wealth. Willy explains to Biff that a man is measured by his success and his popularity, a lesson that cannot be described as moral. Another common theme of the plays is the constant lying. The characters of both works rarely tell the truth to themselves and to each other. Biffs words in Death of a Salesman, We never told the truth for ten minutes in this house!;. depict the reality present in both All My Sons and Death of a Salesman. Through the two plays Arthur Miller explores several themes that deal with human values through different points of view that sometimes parallel each other greatly. Many distinctions can be seen in Millers use of imagery throughout both plays. Surprisingly, despite the heavy moral content of All My Sons, in Death of a Salesman Miller uses imagery more vividly and more abundantly. Death of a Salesman incorporates the clever use of time, foreshadowing, and also music all throughout the play. Willys constant flashbacks, though at times perplexing to the reader, create a nostalgic and sorrowful atmosphere. They accurately present Willys longing for the past, for the lost time, and irreparable mistakes. Through perpetual referral to the past Miller allows the reader to journey inside the mind and the spirit of a troubled man. The play is constructed on this time travel into the past which brings about the dreams of the future. Willys flashbacks into the past also generate an air of anticipation. During one of the early flashbacks when Willi remembers a day with his boys Miller foreshadows Biffs future when Willi asks Bernard to give Biff the answers to a Regents exam. Theres nothing the matter with him!Hes got spirit, personality..,; insists Willy, refusing to accept the